Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Tuesday, February 24, 2015

Poem by Chanho Song

Dandelion Station

Dandelion Station is located next to Hwanggan Station.
A rusty, unbridled locomotive
nods its head back and forth
to pluck flowers around the track.
“Oh, dear, what a thoughtless mass of iron you are!
You cuckoo, who makes the long-tailed tit cry.”
A cock runs across toward the locomotive
and begins to peck at it.
Dandelions, did you pull the chick’s socks up
to the knee? Did you put on your nametag?
Yes yes yes. Good, then, let’s start!
Dandelions run,
they run and babble.
Dandelion Station is next to Hwanggan Station.

Thursday, December 18, 2014

Collages on Found Cardboard Fragments


UNTITLED (Swell Composition)   mixed media on found cardboard fragment   10.5" x 12"   2014


UNTITLED (Guardian Composition)   mixed media on found cardboard fragment   10.5" x 12"   2014

Thursday, November 20, 2014

Forcing House


UNTITLED (PEEL COMPOSITION).   Enamel, oil paint, oilstick, pencil, collage on newspaper.
11" x 11" 2014


UNTITLED (PULSE COMPOSITION).   Enamel, oil paint, oil stick, pencil, collage on newspaper.
11" x 11" 2014.

I'm putting together some collages for a show in January which are loosely based around a Theodore Roethke poem, Forcing House, from a collection of poems from 1948- THE LOST SON AND OTHER POEMS.

FORCING HOUSE

Vines tougher than wrists
And rubbery shoots,
Scums, mildews, smuts along stems,
Great cannas or delicate cyclamen tips,-
All pulse with the knocking pipes
That drip and sweat,
Sweat and drip,
Swelling the roots with steam and stench,
Shooting up lime and dung and ground bones,-
Fifty summers in motion at once,
As the live heat billows from pipes and pots.

Theodore Roethke.

Friday, October 10, 2014

UNFOLD! UNFOLD! *in homage to Theodore Roethke


UNFOLD! UNFOLD!

1
By snails, by leaps of frog, I came here, spirit.
Tell me, body without skin, does a fish sweat?
I can't crawl back through those veins,
I ache for another choice.
The cliffs! The cliffs! They fling me back.
Eternity howls in the last crags,
The field is no longer simple:
It's a soul's crossing time.
The dead speak noise.

2
It's time you stood up and asked
               -Or sat down and did.
A tongue without song
               -Can still whistle in a jug.
You're blistered all over
               -Who cares? The old owl?
When you find the wind
               -Look for the white fire.

3
What a whelm of proverbs, Mr. Pinch!
Are the entrails clear, immaculate cabbage?
The last time I nearly whispered myself away.
I was far back, farther than anybody else.
On the jackpine plains I hunted the bird nobody knows;
Fishing, I caught myself behind the ears.
Alone, in a sleep-daze, I stared at billboards;

I was privy to oily fungus and the algae of standing waters;
Honored, on my return, by the ancient fellowship of rotten stems.
I was pure as a worm on a leaf; I cherished the mold's children.
Beetles sweetened my breath.
I slept like an insect.

I met a collector of string, a shepherd of slow forms.
My mission became the salvation of minnows.
I stretched like a board, almost a tree.
Even thread had a speech.

Later, I did and danced in the simple wood.
A mouse taught me how, I was a happy asker.
Quite-by-chance brought me many cookies.
I jumped in butter.
Hair had kisses.

4
Easy the life of the mouth. What a lust for ripeness!
All openings praise us, even oily holes.
The bulb unravels. Who's floating? Not me.
The eye perishes in the small vision.
What else has the vine loosened?
I hear a dead tongue halloo.

5
Sing, sing, you symbols! All simple creatures,
All small shapes, willow-shy,
In the obscure haze, sing!

A light song comes from the leaves.
A slow sigh says yes. And light sighs;
A low voice, summer-sad.
Is it you, cold father? Father,
For whom the minnows sang?

   A house for wisdom; a field for revelation.
   Speak to the stones, and the stars answer.
   At first the visible obscures:
   Go where light is.

This fat can't laugh.
Only my salt has a chance.
I'll seek my own meekness.
What grace I have is enough.
The lost have their own pace.
The stalks ask something else.
What the grave says,
The nest denies.

In their harsh thickets
The dead thrash.
They help.

Tuesday, October 7, 2014

Drawing/October 7th with a poem by, Roethke


THE SIGNALS

Often I meet, on walking from a door,
A flash of objects never seen before.

As known particulars come wheeling by,
They dart across a corner of the eye.

They flicker faster than a blue-tailed swift,
Or when dark follows dark in lightning rift.

They slip between the fingers of my sight.
I cannot put my glance upon them tight.

Sometimes the blood is privileged to guess
The things the eye or hand cannot possess.

~Theodore Roethke

Sunday, September 28, 2014

Locking Yourself Out, Then Trying To Get Back In

Locking Yourself Out, Then Trying To Get Back In

You simply go out and shut the door
without thinking. And when you look back
at what you’ve done
it’s too late. If this sounds
like the story of a life, okay.

It was raining. The neighbors who had
a key were away. I tried and tried
the lower windows. Stared
inside at the sofa, plants, the table
and chairs, the stereo set-up.
My coffee cup and ashtray waited for me
on the glass-topped table, and my heart
went out to them. I said, Hello, friends,
or something like that. After all,
this wasn’t so bad.
Worst things had happened. This
was even a little funny. I found the ladder.
Took that and leaned it against the house.
Then climbed in the rain to the deck,
swung myself over the railing
and tried the door. Which was locked,
of course. But I looked in just the same
at my desk, some papers, and my chair.
This was the window on the other side
of the desk where I’d raise my eyes
and stare out when I sat at that desk.
This is not like downstairs, I thought.
This is something else.

And it was something to look in like that, unseen,
from the deck. To be there, inside, and not be there.
I don’t even think I can talk about it.
I brought my face close to the glass
and imagined myself inside,
sitting at the desk. Looking up
from my work now and again.
Thinking about some other place
and some other time.
The people I had loved then.



I stood there for a minute in the rain.
Considering myself to be the luckiest of men.
Even though a wave of grief passed through me.
Even though I felt violently ashamed
of the injury I’d done back then.
I bashed that beautiful window.
And stepped back in.


                                  Raymond Carver

                                  ALL OF US - The Collected Poems